1
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30
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https://www.etcetera-archivo.org/files/original/4/247/ESPEJOS_GUIA_MUESTRA.pdf
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
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<iframe width="480" height="360" src="//www.youtube.com/embed/FzWMCii0qMw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe>
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https://i.ytimg.com/vi/FzWMCii0qMw/default.jpg
Duration
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1:34
Compression
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MPEG-4
Producer
Name (or names) of the person who produced the video
Agencia Télam
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Title
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<strong>"Espejos, el camino incierto al país de las maravillas" (2012)</strong>
Description
An account of the resource
<p><strong>"Espejos, el camino incierto al país de las maravillas"</strong></p>
<p><strong><span>Centro Cultural de la Memoria Haroldo Conti</span><br /><span>02/06/2012 - 05/08/2012</span><br /><span>Buenos Aires, Argentina</span></strong></p>
<p>Idea y Coordinación: Loreto Garín Guzmán / Federico Zukerfeld. <br /><br />Artistas y colectivos participantes: Alejandra Fenochio / Azul Blaseotto / Carlos Trilnick / Chto Delat? / Daniel Murgel / Democracia / Diego Perrotta / Eduardo Molinari / )el asunto( / Ezequiel Monteros y Jenny Wolka / Ezequiel Verona/ Fabián Crespi / Hernán Cardinale / Iconoclasistas / Juan Carlos Romero/ Khaled Jarrar/ Leopoldo Tiseira / León Ferrari / Matthijs de Bruijne / NSK / Sebastián Díaz Morales/ Sergio Lamanna/ SubCoop/ Victor Hugo Bravo/ Yael Bartana / Yaya Firpo.</p>
<p>CENTRO CULTURAL DE LA MEMORIA HAROLDO CONTI, Buenos Aires, Argentina. <br /><br />Espejos es la metáfora que permite asumirnos como refractores-proyectores de imágenes. Nos servimos de la fenomenología de la física óptica y sus manifestaciones, refracción, reflexión, interferencia y formación de imágenes,como analogías de los procesos sociales de construcción de identidad y memoria. La investigación propone una hipótesis sobre el propio contexto en tensión de la ex-ESMA mediante una narración compuesta por archivos, objetos e instalaciones que intervienen como hipertextos y citas en la puesta en escena de la exposición. La exposición El Camino Incierto al País de las Maravillas, ha sido concebida para reactivar el espacio en su función simbólico-testimonial, reflexionando sobre su histórica conflictividad: primero como Escuela Militar, luego como Centro Clandestino de Detención y, tras su recuperación a partir de 2004, transformada en Espacio para la Memoria, la Justicia y los Derechos Humanos, como reflejo invertido de su antigua función represiva. Esta muestra es una invitación colectiva para adentrarnos en un territorio de reflexión lúdica, desacralizando el espacio expositivo en una dinámica que retome el pensamiento crítico como motor discursivo y la narración como ejercicio de enunciación. Esta acción política, el narrar, es la columna vertebral del proyecto, y a la vez, un catalizador para intentar verificar hasta qué punto la memoria que se construye –se ilustra e instruye– perdura en el tiempo y sus posibles implicancias en el devenir.<br /><br /></p>
<iframe style="position: relative; top: 0; left: 0; width: 100%; height: 100%;" src="https://flickrembed.com/cms_embed.php?source=flickr&layout=responsive&input=www.flickr.com/photos/80755144@N07/albums/72157630199137306&sort=0&by=album&theme=default_notextpanel&scale=fit&speed=5000&limit=10&skin=default-light&autoplay=true" scrolling="no" frameborder="0" allowfullscreen="allowfullscreen" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen"><p><a href="https://www.vouchersort.co.uk/boohoo.com">UK website for vouchers called Vouchersort I have not heard of it before</a></p><small>Powered by <a href="https://flickrembed.com">flickr embed</a>.</small></iframe>
<script type="text/javascript">function showpics(){var a=$("#box").val();$.getJSON("http://api.flickr.com/services/feeds/photos_public.gne?tags="+a+"&tagmode=any&format=json&jsoncallback=?",function(a){$("#images").hide().html(a).fadeIn("fast"),$.each(a.items,function(a,e){$("<img/>").attr("src",e.media.m).appendTo("#images")})})}</script>
Date
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2012-07-26T14:01:03.000Z
Source
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http://youtu.be/FzWMCii0qMw
Rights
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<a href="http://creativecommons.org/licenses/by/3.0/legalcode">Creative Commons License</a><br />This video represents licensed content on YouTube, meaning that the content has been claimed by a YouTube content partner.
Creator
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Télam<br />published via YouTube.com
Subject
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Video informativo del noticiero Canal 7 - Televisión Pública (Argentina) sobre la exposición colectiva "Espejos, el camino incierto al país de las maravillas", exposición curada por Loreto Garín Guzmán y Federico Zukerfeld del Colectivo Etcetera.
Relation
A related resource
<p><strong>Articulos relacionados:</strong></p>
<ul>
<li><strong>"La Memoria en Jaque" Clarín/Revista Ñ </strong>- 20/07/2012 <br /><a href="https://www.clarin.com/arte/la-memoria-en-jaque_0_r1Wgblf2PXl.html">https://www.clarin.com/arte/la-memoria-en-jaque_0_r1Wgblf2PXl.html</a><strong><br /><br /></strong></li>
<li><strong>"Desorientar los códigos del espectáculo en el seno de las políticas de la memoria"</strong> por Santiago Garcí­a Navarro para Latinart .<a href="http://www.latinart.com/spanish/exview.cfm?id=348">http://www.latinart.com/spanish/exview.cfm?id=348</a></li>
<li><strong> "Una muestra puede convertirse en un hecho político"</strong> <a href="http://conti.derhuman.jus.gov.ar/2012/07/noticias-entrevista-a-coordinadores-espejos.shtml?fbclid=IwAR39JVoeA_A9R_Vw0NvELDTRpqYK0CWiY3LRprOPTGRFvFOdV2tTXgDZC2k">(entrevista a curadores)</a></li>
<li><strong>Fotografias de la exposición</strong> <a href="https://www.flickr.com/photos/80755144@N07/">https://www.flickr.com/photos/80755144@N07/</a><br /><br /></li>
<li><strong>Blog: </strong><a href="https://espejoproject.wordpress.com/">https://espejoproject.wordpress.com/</a></li>
</ul>
<p></p>
Language
A language of the resource
Castellano - Español
2012
Curaduría
Exhibición
Video
-
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5c0b2252b2ae5b0795c65792651515d5
https://www.etcetera-archivo.org/files/original/4/215/06-ETCETERA-Parodia-e-imagen-accion.pdf
3ca5ffd981d8b03a6c43f79e90807519
Dublin Core
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Title
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Grupo Etcétera: parodia e imagen-acción errorista
Subject
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Facultad de Filosofía y Letras Universidad de Buenos Aires Cátedra Historia del Arte Americano II (Latinoamericano). Profesora Titular: Andrea Giunta
Description
An account of the resource
Una jornada de investigación, los alumnos de la Cátedra de Arte Latinoamericano Moderno y Contemporáneo de la Carrera de Artes de la UBA, a cargo de la Doctora Andrea Giunta, presentarán los trabajos realizados a partir de la exposición Acción Urgente realizada en Fundacion Proa en 2014.
Creator
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Paula Bruno, Damián D’Amico, Daniela Ruiz Moreno, Loruhama Valdéz
Source
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http://proa.org/documents/06-ETCETERA-Parodia-e-imagen-accion.pdf
Date
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11-10-2014
Format
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PDF
Language
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Castellano - Español
Type
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Trabajo Práctico
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/P6k2c7Cc3u8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe>
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Title
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<strong>PROATV | Entrevistas | Grupo Etcétera por Rodrigo Alonso | Exhibición: Acción Urgente</strong>
Description
An account of the resource
<p><span style="text-decoration: underline;">Entrevista al Grupo Etcétera por el curador Rodrigo Alonso.</span></p>
<p class="exhibicion-textos-titulo"><span><strong class="texto-color-marron">Acción Urgente </strong></span></p>
<p><strong><span>Organiza: </span></strong>Fundación Proa<br /><strong><span>Curaduría:</span> </strong>Cecilia Rabossi – Rodrigo Alonso<br /><span><strong>5 de julio – 24 de agosto de 2014</strong></span><br /><br /><strong>Fundación Proa</strong> presenta <strong>Acción Urgente</strong>, un panorama sudamericano de intervenciones artísticas en el espacio urbano desde la década del 90 hasta el presente. La muestra reúne el trabajo de algunos colectivos de artistas de Argentina, Bolivia, Brasil, Chile, Paraguay, Perú y Uruguay que toman la ciudad como escenario y sostén de su producción.<br /><br /></p>
<p><strong><img alt="" title="" src="http://proa.org/images-exhibiciones/exhibicion_destacado_esp_112.jpg" width="370" height="149" /><br /><br />Acción Urgente</strong> incluye registros de intervenciones urbanas llevadas adelante por artistas de múltiples disciplinas que interpelados por la realidad política, social y económica pusieron en marcha acciones artísticas para visibilizar problemáticas como los derechos de la mujer, la corrupción política, la impunidad, el racismo, la ecología y el indigenismo, entre otros temas.</p>
<p>Las obras reunidas dan cuenta de la originalidad, la espontaneidad y el amplio abanico de recursos estéticos empleados tomando al espacio público de la ciudad como escenario para la acción. La risa paródica y provocadora del <strong>Grupo Etcétera</strong> escenificando los escraches a represores de la dictadura militar durante la década del noventa, la reinvención del grafiti a cargo del colectivo <strong>Mujeres Creando</strong> en Bolivia y las originales propuestas del <strong>Frente 3 de Fevereiro</strong> en Brasil para denunciar el racismo son algunas de las acciones destacadas que entran en diálogo en la exposición.<br /><br /><br /></p>
<p><strong>Más información sobre la exhibición:</strong></p>
<div style="left: 0px; width: 100%; height: 0px; position: relative; padding-bottom: 75%;">
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<p><a href="https://proa.org/esp/exhibicion-proa-accion-urgente--presentacion.php" target="_blank" rel="noopener">https://proa.org/esp/exhibicion-proa-accion-urgente--presentacion.php</a><br /><br /><img alt="" title="" src="http://proa.org/images-exhibiciones/exhibicion_destacado_esp_113.jpg" width="372" height="149" /><br /><br /><br /></p>
Date
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2014-08-14
Source
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http://youtu.be/P6k2c7Cc3u8
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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ProaTV<br />published via YouTube.com
Subject
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Entrevista al <strong>Grupo Etcétera</strong> por el curador <strong>Rodrigo Alonso</strong> en el marco de la exposicion <span><strong class="texto-color-marron">Acción Urgente </strong>(2014). </span>
Publisher
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Javier Varela Sosa
Relation
A related resource
<p><strong>Articulos periodisticos:</strong><br /><a href="https://www.lanacion.com.ar/cultura/arte-museo-de-la-revuelta-nid1716588">https://www.lanacion.com.ar/cultura/arte-museo-de-la-revuelta-nid1716588</a><br /><br /><a href="https://www.infobae.com/2014/07/31/1584611-una-muestra-arte-callejero-refleja-la-protesta-politica-sudamerica/">https://www.infobae.com/2014/07/31/1584611-una-muestra-arte-callejero-refleja-la-protesta-politica-sudamerica/</a><br /><br /><a href="https://www.youtube.com/watch?v=V7jwLD2ifJk">https://www.youtube.com/watch?v=V7jwLD2ifJk</a><br /><br /></p>
<p><strong>Proa Educación. </strong><strong>Programa con Universidades</strong><br /><a href="https://www.proa.org/esp/news-nota.php?id=745">https://www.proa.org/esp/news-nota.php?id=745</a></p>
<p>En una jornada de investigación, los <strong>alumnos de la Cátedra de Arte Latinoamericano Moderno y Contemporáneo de la Carrera de Artes de la UBA</strong> a cargo de <strong>Andrea Giunta</strong>, presentaron los trabajos realizados a partir de la exposición Acción Urgente: se adjunta el documento<strong> “Grupo Etcétera: parodia e imagen-acción errorista”, </strong>Trabajo Practico.</p>
<p></p>
Language
A language of the resource
Castellano, Español
2014
Entrevista
Exhibición
Video
-
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Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/wK_2W0aM_yw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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|Entrevista| Loreto Garín & Federico Zukerfeld: sobre el arte y Los Erroristas
Description
An account of the resource
En el mes de noviembre de 2005 en la ciudad de Buenos Aires, Argentina, se fundó la “Internacional Errorista”, un movimiento internacional que reivindica el error como una filosofía de vida. Compuesta por miembros de Argentina, Brasil, Bolivia, Chile, Colombia, Venezuela, México, Francia, Italia, España, Alemania, Austria, Suiza, Canadá, Rumania, Croacia, Estados Unidos y Taiwán
Date
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2018-11-09T11:00:41.000Z
Source
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http://youtu.be/wK_2W0aM_yw
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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lapislazuliperiodico<br>published via YouTube.com
Entrevista
-
https://www.etcetera-archivo.org/files/original/4/220/default.jpg
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Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/ktDI8i0iDCE" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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https://i.ytimg.com/vi/ktDI8i0iDCE/default.jpg
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20122001(sueños)
Description
An account of the resource
20122001
20122001(sueños) , la fecha 20 de diciembre de 2001, momento en que la precaria estabilidad social salta por los aires. Tres elementos diferenciados la componen: una cama, un monitor de televisión que reproduce imágenes de vídeo y textos impresos a manera de octavillas desparramados por el suelo. Si las imágenes que se suceden y superponen en la proyección, así como el sonido que envuelve al espectador, recoge la realidad de unas fechas concretas, las manifestaciones callejeras, los gritos, el tumulto y la furia justificada que se desató por parte de los ciudadanos, la cama remite a la soledad del individuo, a su vivencia intrasferible de unos hechos de los cuales ha sido protagonista o ha formado parte de una u otra manera. Esto supone un salto cualitativo en su producción y en ella dan rienda suelta a un tono intimista y poético que en anteriores trabajos era difícil cuantificar. El tiempo ha pasado y el colectivo reflexiona sobre lo sucedido y también sobre su propio papel en aquellos momentos.
En esta obra se aprecia un planteamiento escenográfico del espacio, donde el espectador se acerca al papel del actor, así como una utilización casi deconstructiva de los elementos. El sonido se invierte en algunos pasajes, junto a los gritos de la gente otros sonidos ininteligibles que recuerdan idiomas que no entendemos o canciones y ritmos que nos conducen a otras culturas que, como ellos mimos señalan, nos recuerdan los sonido de las protestas en la guerra de Irak o grabaciones sobre los conflictos de Asia o África y que funcionan como una metáfora, como un negativo sonoro que nos habla de todos los conflictos, de todas las crisis, de todas las guerras.
También las imágenes rompen su estructura lineal, se quiebra el relato, se superponen los mensajes: fragmentos de las cacerolazos en Buenos Aires se mezclan con imágenes entresacadas de documentales sobre especies salvajes y cortes de archivos de televisión con entrevistas y temas diversos. Una narración aleatoria que vuelve sobre sí misma y donde el hilo conductor es la presencia de un niño que observa al espectador de esta obra.
Sueño y realidad, como un corte de la suma de mensajes que circulan ante nuestros ojos cuando intentamos conciliar el sueño, cuando nos invade ese estado de semiconsciencia donde se mezclan los más opuestos pensamientos y sensaciones.
Ese recorrido desde la calle al museo que ha realizado el grupo Etcétera funciona como un amplificador para la mirada y la experiencia de lo real.
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-01T19:37:20.000Z
Source
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http://youtu.be/ktDI8i0iDCE
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Etcetera Etcetera<br>published via YouTube.com
2001
-
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a8b2e47ed0b277672155731b8972f627
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/_hhnSioLVwM" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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2015 Prince Claus Laureate Etcetera
Description
An account of the resource
A film about Prince Claus Fund Laureate Etcetera shown during the 2015 Prince Claus Awards at the Royal Palace Amsterdam. (Produced by Brenninkmeijer & Isaacs)
On 2 December 2015, Etcetera received the Prince Claus Award from Honorary Chairman of the Prince Claus Fund HRH Prince Constantijn of the Netherlands. www.princeclausfund.org
From the 2015 Prince Claus Awards Committee Report:
Etcetera (1997, Buenos Aires) is a provocative, public-art collective that responds to and creates awareness of political and social problems. Bold, direct and transgressive, their accessible, playful yet serious interventions are characterised by theatrical display, parody, absurdity, confusion and surprise. Generating active participation, they blur the boundaries between art and life.
Co-founded by Loreto Garín Guzmán (1977, Valparaíso) and Federico Zukerfeld (1979, Buenos Aires) together with other artists and activists, Etcetera takes art to the streets at specific sites and political events and also presents problematic social and political issues in official art institutions.
Etcetera staged stunning theatrical pieces, such as masked people playing out torture scenes with huge dummies, to protest against the impunity of Argentina’s military dictatorship in the 1990s and the 2001 crisis. In 2005 they founded the International Errorist Movement – with the manifesto declaration ‘We are all errorists’ – to protest George W. Bush attending the Summit of the Americas.
Actions included the landing of an errorist army carrying toy guns, triggering a major police deployment, and the invasion of Buenos Aires streets by masked errorists driving commando trucks and armed with cardboard machine guns emitting the word ‘Bang’, satirically reproducing the constructed enemy in the war on terror and denouncing its absurdity. Their intervention on religion’s relation to global financial crises, Errar de Dios (Erring from God), is a theatrical installation featuring characters like Angela Merkel, God, Monsanto, St Paul and Goldman Sachs among others, and includes a ‘Petition to Pope Francis for the final abolition of hell’. Etcetera is awarded for developing participatory art practices and public interventions in Argentina and internationally; for their creative originality; for their refusal to allow the normalisation of injustice; for insisting on relating history to the present moment and the local to international struggles; and for their profound, responsible social engagement and mobilisation of communities in Argentina and beyond.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-12-08T16:04:48.000Z
Source
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http://youtu.be/_hhnSioLVwM
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Prince Claus Fund<br>published via YouTube.com
-
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Dublin Core
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
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<iframe width="480" height="360" src="//www.youtube.com/embed/szYbyhkvEOE" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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https://i.ytimg.com/vi/szYbyhkvEOE/default.jpg
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Title
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A COMER - To Eat
Description
An account of the resource
A COMER
"Otra realidad es posible-"
Nace como respuesta al slogan "otro mundo es posible" del Foro Social Mundial.
Con la participación de cien personas y el apoyo de una fabrica de aluminio, recuperada por los trabajadores (IMPA) que dono cientos de kilos de metal para construir los vestuarios, armaduras y una gran cacerola "tanque" gigante, de cuyo interior sobresalía una "gomera" del tamaño de un árbol.
Etcétera... organizó una Guerrilla, Ejercito de Locos, Hambrientos y Soñadores, por la Liberación "
Los guerreros portaban armas como tenedores, cucharas y cuchillas gigantes.
A su paso "atacaban" locales de corporaciones multinacionales (Mc Donalds, Shell, Esso, etc) y organismos del gobierno, al grito de ¡A Comer!
...........................................
"Another reality is possible"
It was born as a response to the slogan "another world is possible" of the World Social Forum. With the participation of hundreds of people and the support of an aluminium factory recovered and administrated by its workers (IMPA), which donated over one hundred kilogrammes of metal to build up the customs, armours and a big "tank-pot", from which a sling of a size of a tree came out.
Etcétera... organized a guerrilla, an army formed by Insanes, Hungry people, Dreamers, Revolutioners, Internationalists, all people that stand for Liberation
The fighters carried guns such as forks, spoons, and huge knives. On their ways they "attacked" shops of multinational corporations (McDonalds, Shell, Esso, and so on) together with government organisms, shoutting "A comer" (To eat!)
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-01T18:34:57.000Z
Source
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http://youtu.be/szYbyhkvEOE
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Etcetera Etcetera<br>published via YouTube.com
-
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771a67a05535641ea48af5c902caaa3b
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
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<iframe width="480" height="270" src="//www.youtube.com/embed/IyxBJVsd0c0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe>
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https://i.ytimg.com/vi/IyxBJVsd0c0/default.jpg
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Title
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Arte, política, etcétera...
Description
An account of the resource
El colectivo de artistas Etcétera presenta en estos días en Rótterdam un recorrido por sus 13 años de actividad en diferentes espacios sociales. Este grupo nació en respuesta a las políticas neoliberales de la década del '90 que se aplicaron en Argentina y desde sus orígenes se identificó con la lucha por los derechos humanos.
Date
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2010-06-08
Source
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http://youtu.be/IyxBJVsd0c0
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informarn<br />published via YouTube.com
Subject
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Entrevista realizada en 2010 para RNW Media (Países Bajos)
Creator
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Alejandro Pintamalli - RNA (Radio Nederland Wereldomroep)
Relation
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<p>"Etcétera..." Exposición (05 junio - 08 agosto 2010) MAMA (<span>Media and Moving Art Rotterdam) </span>Holanda.</p>
<p><a href="https://thisismama.nl/en/events/home-en/etcetera/" target="_blank" rel="noopener"></a><a href="https://thisismama.nl/en/events/home-en/etcetera/" target="_blank" rel="noopener">https://thisismama.nl/en/events/home-en/etcetera/</a><br /><br /><a href="https://www.flickr.com/photos/42476840@N08/albums/72157624602107490" target="_blank" rel="noopener">Fotografias de la exposición MAMA Rotterdam</a><br /><br /></p>
Language
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Castellano / Español
IIIF Item Metadata
UUID
ef401283-bfc0-4dd9-859f-72a92ca42422
Entrevista
Exhibición
Video
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Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
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Title
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BP.17 / CATÁLOGO: Grupo Etcétera I Por el fin del infierno
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-08-04T13:40:23.000Z
Source
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http://youtu.be/gcjgOu_szEk
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Bienal de Performance<br>published via YouTube.com
-
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5b58d7b160e36df12538fed9fe0e38b6
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/jX_F6ACw4CQ" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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CONTRABAJO
Description
An account of the resource
"contrabajo o Sin fonia "
Contrabajos (o sin-fonía)
Para la marcha del 20 de diciembre, Etcétera... junto a otros
artistas, quienes colaboraron directamente en esta producción,
realizó una de sus acciones teatrales más ambiciosas,
apelando a un lenguaje abstracto y tomando la música como
punto de partida.
La performance, que acompañó toda la marcha desde el Congreso
Nacional y finalizó en Plaza de Mayo, narró la historia
de un estómago-corporación bajo el yugo del Jefe y su condescendiente
secretario, que es recuperado por los trabajadores
y desocupados con la heroica ayuda del H@mbre.
Un estómago gigante de látex montado sobre un citroen
acompañado de decenas de manifestantes con diferentes
instrumentos y pancartas-partitura, hicieron del ruido de sus
estómagos la nueva música contemporánea. Tiempo después
de la acción se editó el video homónimo.
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-06T04:45:21.000Z
Source
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http://youtu.be/jX_F6ACw4CQ
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Etcetera Etcetera<br>published via YouTube.com
Performance
-
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45ca33dd7c80f36a13fd8ddbcb965a92
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/a6H7OlexWTM" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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https://i.ytimg.com/vi/a6H7OlexWTM/default.jpg
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Title
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DETRAS DE TODAS LAS COSAS
Description
An account of the resource
DETRAS DE TODAS LAS COSAS
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-12-24T18:51:40.000Z
Source
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http://youtu.be/a6H7OlexWTM
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/238/default.jpg
bfe419320a48e5b7889baf5027ecf814
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/UX347HPwuwc" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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EPISODIO #26 | Grupo Etcétera
Description
An account of the resource
Escracharon a genocidas. Convocaron a un "Mierdazo" frente al Congreso.
Marcharon al ritmo de los ruidos de un estómago gigante por las calles de Buenos Aires que daba cuenta del sonido de una época.
Por error, fundaron La Internacional Errorista y le dieron la malvenida a Bush en la Cumbre de las Américas.
Participaron de la movilización a 41 años de la última dictadura cívico militar con un "helicóptero de cartón" y los medios masivos les acusaron de "helicopteristas".
Le dieron vida a los choclos del Museo del Neoextractivismo para denunciar las consecuencias del modelo de saqueo actual.
Una charla con Loreto Garín y Federico Sukerfeld que recorre 22 años de arte al servicio de las luchas populares.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-09-12T02:31:17.000Z
Source
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http://youtu.be/UX347HPwuwc
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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la mar en coche<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/222/default.jpg
ece6056e990ecffce6d0a388289099a1
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/DrLx1qMlZ-8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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ERRORIST DECLARATION 1
Description
An account of the resource
"International Errorists" were founded, in November 2005 in the city of Buenos Aires, composed by members from Argentina, Brasil, Bolivia, Chile, Columbia, Venezuela, Mexico, France, Italy, Spain, Germany, Austria, Switzerland, Canada, Rumania, Croatia, United States and Japan; during the campaign in order to repudiate the presence of George W. Bush and the reunion of all presidents of America ("Summit of the Americas") in the city of Mar del Plata -- Argentina
International Errorists participated in the counter-summit called "Summit of the People" where an international encounter of social organizations, farmer movements, left-wing parties, NGO's and independent media organizations, trade unions and student organizations. Different demonstrations and cultural acts were realized.
The context was the one of a city surrounded by police and military. The center of the city was closed, guarded by three security cords. Also Marines of the USA could be seen supervising the streets and beaches. There the first declaration which introduce today/now this manifest "WE ARE ALL ERRORISTS", together with series of errorist actions which were realized during the street protests and demonstrations.
Errorism emerged by error: In times of censorship we see ourselves complied to force language, bring metaphors to their maximum point, speaking without calling. As using the word (T)erroism or "(T)errorist" for the symbolical weight and the "danger" that this represents, we escaped by onto a game of words. Like this Errorism emerged, by error. While writing the text somebody forgot to tap a key.
Today, errorism and its actions receive wide help form the international community, disspreading their practices and their philosophy, being satisfied with new autonomous cells of International Errorists which expand all over the world.
We have to return the like the System a bit of ist own venom. ERROR and MORE ERROR!!
Unite in the files of International Errorists!
internacionalerrorist@yahoo.com.ar
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-08-24T20:45:45.000Z
Source
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http://youtu.be/DrLx1qMlZ-8
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/231/default.jpg
9d786c2c64ab93ed988b71a271b35a7e
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
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<iframe width="480" height="360" src="//www.youtube.com/embed/WVHzsAY6ZAc" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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https://i.ytimg.com/vi/WVHzsAY6ZAc/default.jpg
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Title
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Errorist International / Internacional Errorista
Description
An account of the resource
One minute video as part of the propaganda campaign we carry on in order to spread the errorism everywhere!
The video was presented as an avant premiere in the "CreativeTime Summit" at Cooper Union in New York City in October 2010. livestre.am/pnEJ
Today is part of the first errorist social network that will be online soon: internationalerrorist.org
An errorist social network, with a map to report about the global errorist activity and share our everyday errors and failures. JOIN US!
Un vídeo de un minuto, como parte de la campaña de propaganda que llevamos a cabo con el fin de difundir la errorismo en todas partes!
El video fue presentado como una avant premiere en la "Cumbre CreativeTime" en la Cooper Union en Nueva York en octubre de 2010. livestre.am/pnEJ
Es parte de la primera red social del errorismo en internet que estará disponible muy pronto: internationalerrorist.org
La primera red social errorista , con un mapa que informa sobre la actividad errorista mundial y un sitio para compartir nuestros errores y fracasos cotidianos.
ÚNETE AL ERRORISMO INTERNACIONAL!
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-09-28T20:37:32.000Z
Source
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http://youtu.be/WVHzsAY6ZAc
Rights
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<a href="http://creativecommons.org/licenses/by/3.0/legalcode">Creative Commons License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
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dc5ef4d775a267b8bbe44f916b08e85b
Dublin Core
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Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/PyWbSiyQilU" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
A name given to the resource
ERRORISTAS
Description
An account of the resource
Internacional Errorista
En el mes de noviembre de 2005 en la ciudad de Buenos Aires, Argentina, se fundó la "Internacional Errorista", compuesta por miembros de Argentina, Brasil, Chile, Colombia, Venezuela, México, Francia, Italia, España, Alemania, Austria, Suiza, Canadá, Rumania, Croacia, Albania, Estados Unidos y Japón; en el marco de las actividades programadas para repudiar la presencia del presidente de USA, George W. Bush, y la reunión de todos los presidentes de América (Cumbre de las Américas) en la ciudad de Mar del Plata, Argentina.
La Internacional Errorista participó en la contra-cumbre llamada "La Cumbre de los Pueblos" donde hubo un encuentro internacional de organizaciones sociales, movimientos de campesinos, partidos de Izquierda, ONG´s y medios de comunicación independientes, organismos de derechos humanos, sindicatos y organizaciones estudiantiles. Se realizaron diferentes actividades, manifestaciones, actos culturales, recitales, etc.
El contexto era el de una ciudad sitiada por policías y militares. El centro de la ciudad estaba cerrado, vigilado por tres cordones de seguridad. También se podían ver Mariners de USA vigilando las calles y las playas. Allí se realizó la primer declaración que hoy encabeza este manifiesto: "TODOS SOMOS ERRORISTAS", junto a una serie de acciones erroristas que se realizaron en las protestas y manifestaciones callejeras.El errorismo nació por error: En tiempos de censura nos vemos sometidos a forzar el lenguaje, llevar las metáforas a su punto máximo, decir sin nombrar. Al no poder utilizar la palabra "(T)errorismo" ni "(T)errorista" por el peso simbólico y el "peligro" que esto representa, escapamos hacia el juego de palabras. Así nació el Errorismo, por error. Alguien al escribir el texto olvidó oprimir una tecla.Hoy, el errorismo y sus acciones, reciben un amplio apoyo de la comunidad internacional, difundiendo sus prácticas y su filosofía, conformándose nuevas células autónomas de la Internacional Errorista que se expanden por todo el mundo.
Debemos devolverle al Sistema un poco de su propia medicina: ¡¡ERROR y MÁS ERROR!!
¡ÚNASE YA A LA INTERNACIONAL ERRORISTA!
internacionalerrorist@yahoo.com.ar
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-08-24T16:20:50.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/PyWbSiyQilU
Rights
Information about rights held in and over the resource
<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/216/default.jpg
078a1ef000c25faea3293b84a6b60983
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/LgYsacLxo_k" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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ESCRACHES A MILITARES
Description
An account of the resource
ESCRACHES a militares genocidas de la última dictadura militar en Argentina (1976-1983)
Escrache a Raúl Sánchez Ruiz: La acción teatral servia como señuelo para distraer a la policía ubicada frente a la casa. Un personaje que representaba al médico militar Sánchez Ruiz le entregaba un bebé, robado a las detenidas en los campos de concentración, a un General del Ejército. En un determinado momento, aprovechando la confusión que la acción producía en la Policía, se comenzaron a arrojar por primera vez las "bombas de pintura" para señalar el frente de la casa del genocida.
Escrache a Leopoldo Fortunato Galtieri En esta oportunidad Etcétera...represento un "Partido de fútbol" en donde los equipos contrincantes eran "Argentina vs. Argentina", simbolizando la guerra de las Malvinas y el ocultamiento de las muertes y desapariciones que habían sucedido en el país durante el Mundial de 1978. El Escrache se realizaba el mismo día que jugaba Argentina contra Inglaterra en el Mundial de Fútbol de 1998 . La obra finalizaba con un tiro penal pateado por un miembro de H.I.J.O.S. La pelota estaba rellena de pintura. En el arco (que era el vallado policial) se encontraba el personaje Militar intentando atajar.Los gritos de "¡gooool!" se mezclaron con los insultos, mientras volaban las bombas de pintura.
...........................................
Escrache to Raúl Sánchez Ruiz
The performance worked as a lure to distract the police guard in front of the house.
A character doing militar physician Sanchez Ruiz handed over a baby, stolen from a prisioner of the concentration camps, to an Army General. At a certain moment, taking advantage of the confusion brought among the policemen, painting bombs were thrown to point out the front of the criminal´s house.
Escrache a Leopoldo Fortunato Galtieri
In this case Etcétera... performed "A football match" in which the teams confronting were "Argentina against Argentina", symbolizing the Falklands or Malvinas War and the cover of thousands of deaths and disappearences that had taken place during the World Cup of 1978. The Escrache was carried out the same day of the Argentina-England football match, for the World Cup of 1998.
The play ended with a penalty kick, shot by a member of H.I.J.O.S. The ball was full with red painting. In the goal (that was the security hurdle) stood the militar character trying to catch the ball. The yells of "Goal!!!!!" combined with cursing, as the painting bombs went through the air.
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-08T02:18:37.000Z
Source
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http://youtu.be/LgYsacLxo_k
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/233/default.jpg
3267747a30a9f484b07e60d626332896
Dublin Core
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/H0dFPukH8P0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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Exhibition Gulsuyu -Gulensu, Etcetera...
Description
An account of the resource
http://www.flickr.com/photos/51960260@N07/show/with/4785675743/
Exhibition Gulsuyu -Gulensu, Etcetera...
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-07-28T18:38:49.000Z
Source
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http://youtu.be/H0dFPukH8P0
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/219/default.jpg
13c77437e83bcfff78449872e9b90b89
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/KVumX2TVxlk" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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GANSO AL PODER
Description
An account of the resource
GANSO AL PODER:
El Ganso Al Poder:
Una semana antes de las elecciones presidenciales, la acción teatral fue realizada durante la marcha del día 24 de marzo. Cuestionando la legitimidad de las candidaturas y su funcionamiento, colocando en juego la ambigüedad de los símbolos de representación, como los estandartes y estereotipos clásicos de la política "bi partidista".
Dentro de un carro con forma de globo terráqueo transportábamos al líder: un Ganso
Para la obra se requirió la participación de un animal vivo, "futuro presidente de los argentinos" acompañado por un singular sequito: oscuros agentes de seguridad, tenebrosos ministros, dudosos asesores y una feroz hinchada portando bombos, pancartas y camisetas en apoyo al candidato ovíparo.
...........................................
The Goose to the Power:
A week before the presidential elections, a dramatic action took place during the March 24th march. Questioning the legitimacy of the candidates and the way elections worked, casting doubts on the ambiguity of representational symbols, as the signs and common places of the "bipartisant" politics.
In a carriage with the shape of a globe, we carried the leader: a goose. For the play, it was needed the participation of a live animal, "the next president of argentinian people", followed by a particular retinue: horrid security agents, frightening ministers, uncertain assistants, and a fierceful gang of supporters holding drums and T-shirts supporting the oviparous candidate.
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-01T19:02:37.000Z
Source
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http://youtu.be/KVumX2TVxlk
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/240/default.jpg
96f91ef24ba6801701ce7011d76406bf
Dublin Core
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/V7jwLD2ifJk" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Grupo Etcéctera en "Acción Urgente" (Fundación PROA)
Description
An account of the resource
A partir del sábado 5 de julio a las 17 hs, Fundación Proa presenta Acción Urgente, un panorama sudamericano de intervenciones artísticas en el espacio urbano desde la década del 90 hasta el presente. La muestra reúne el trabajo de agrupaciones y colectivos de artistas de Argentina, Bolivia, Brasil, Chile, Paraguay, Perú y Uruguay que toman la ciudad como escenario y sostén de su producción.
Date
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2014-07-23T17:01:43.000Z
Source
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http://youtu.be/V7jwLD2ifJk
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Distrito de las Artes<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/251/default.jpg
ff79f052450bcfbe1c6bc379caef201b
https://www.etcetera-archivo.org/files/original/4/251/qr-code.png
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Dublin Core
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/tuBAdipgvE4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe>
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Original Format
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VHS
Duration
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21:58
Compression
Type/rate of compression for moving image file (i.e. MPEG-4)
MPEG-4
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Title
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Grupo Etcétera. Entrevista (2006). Programa “Anfibios" - Canal Ciudad Abierta
Description
An account of the resource
Archivo del Grupo Etcétera. <strong>Programa “Anfibios (artistas entre dos mundos)”</strong> emitido por el canal Ciudad Abierta (Buenos Aires) durante el año 2006. Entrevistas y un recorrido por la historia del Grupo Etcétera. Realización y cámara: Alejandro Chaskielberg. Producción: Karin Idelson. Agradecimientos: Carlos Trilnick.
Date
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2020-04-17T13:13:20.000Z
Source
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http://youtu.be/tuBAdipgvE4
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Archivo Etcetera<br />published via YouTube.com
2006
Entrevista
Video
-
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Dublin Core
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Title
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<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
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Title
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INFIERNO ERRORIFICO
Description
An account of the resource
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-05-14T16:06:30.000Z
Source
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http://youtu.be/rnoxuGGQF9g
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/237/default.jpg
9b5781dd37d7bced3d5f4335e09f6f16
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/yt5KHjlLY5Q" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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Interview Etcetera / Errorist Kabaret on CNN.
Description
An account of the resource
Backstage of Etcetera interview on CNN. Federico Zukerfeld & Loreto Garin Guzman.
"What keep manikind alive?" 11th International Istanbul Biennial. 2009. Curated by WHW / What, How & for Whom.
Date
A point or period of time associated with an event in the lifecycle of the resource
2012-09-17T20:26:46.000Z
Source
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http://youtu.be/yt5KHjlLY5Q
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/246/default.jpg
f79a1c7d80cda5bb0c12edcb795adcc8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/GZzq8DkJFV0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe>
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Title
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Los Erroristas en la marcha del 24
Description
An account of the resource
En tiempos en que se confunde coherencia con irreflexión los erroristas, tal la definición del grupo, tienen sus planteos. ¿Atípico? Puede ser, pero el planteo en este caso es congruente y reflexivo, quizás demasiado si el cristal es acotado. Escuchémoslos.
Help us caption & translate this video!
http://amara.org/v/IG28/
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-03-25T22:02:51.000Z
Source
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http://youtu.be/GZzq8DkJFV0
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
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Hernán Lo Iacono<br />published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/217/default.jpg
0df2d836567e40df634fa426d978984e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/8P652aVnmH8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
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Title
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MIERDAZO
Description
An account of the resource
"EL MIERDAZO"
Después del estallido social del 20 diciembre de 2001, hubo un crecimiento en la participación en todo tipo de protestas y reclamos de los distintos sectores afectados por la crisis (frente a los bancos por los ahorristas, cortes de rutas y movilizaciones de los movimientos piqueteros, los empleados estatales en los municipios y casas de gobiernos, las asambleas barriales, etc).
La situación que se vivía, llevó a los manifestantes a buscar nuevas y variadas estrategias de denuncia.
La propuesta de una nueva manera de protestar llamada Mierdazo. consistía en invitar a toda la sociedad disconforme con la situación social, política y económica, a guardar ,llevar y arrojar su propio excremento o el de un amigo, familiar o mascota ,a las puertas del Congreso Nacional en el mismo momento en que adentro los diputados debatían el presupuesto económico para el año en curso
Bajo la consigna: "No se suspende por lluvia, ni por diarrea" se realizo una instalación y una performance en la que un actor disfrazado de oveja, sentado en un inodoro ubicado sobre una alfombra roja, defecaba en publico. Luego fue imitado por otros manifestantes que sintieron la necesidad. Otros, optaron por quitarse sus ropas y quedar al desnudo frente al gobierno La repercusión mediática permitió que el concepto de la acción se expandiera hacia otros puntos del país. En la ciudad de Mar del Plata, por ejemplo: camiones llenos de mierda fueron descargados frente a los bancos por los ahorristas.
...........................................
EL MIERDAZO The Big Shit "
After the social uprising of December 20th 2001, there was a large growth in the protesting involvement and in the claims of the different social groups affected by the crisis (demostrations against banks organized by people who lost their savings; rutes blocking and demonstrations of Piqueteros; statal employees protested against majors´ houses, neighbourhood´s assambleys turned up and so on.)
The situation led demonstrators to find new and different ways of protesting.
The proposal of a new way of claiming called The Big Shit, consisted in inviting all the disgusted society to keep , take and throw their own shit or shit belonging to a friend, relative or pet, over the National Congress´ gates, at the same time the diputees debated the national budget for the whole year. Under the instruction: "It´s not going to be cancelled in case of rain or diarrhea" a set and a performance were put on; an actor disguised as a sheep, sitting on a toilet on a red carpet, shitted at the audience´s sight. Then, he was followed by other demonstrators who felt the necessity. Others chose to take off their clothes and stood naked in front of the government. The media coverage allowed the concept of the action to spread out around other parts of the country. For instance, in Mar del Plata, trucks full of shit were unloaded in front of the banks by the people who lost their savings.
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-09-01T17:36:29.000Z
Source
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http://youtu.be/8P652aVnmH8
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/245/default.jpg
39b0332d5f6dc276c4b5bffbd11abec4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/hlifbC8WSqk" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
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https://i.ytimg.com/vi/hlifbC8WSqk/default.jpg
Dublin Core
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Title
A name given to the resource
OPERACIÓN ALEGRÍA: UNA ACCIÓN ERRORISTA PARA RECIBIR EL CAMBIO.
Description
An account of the resource
OPERACIÓN ALEGRÍA, No, You Can't, NO SE PUEDE! INTERNACIONAL ERRORISTA.
24 DE MARZO 2016, 40 ANIVERSARIO DEL GOLPE DE ESTADO DE 1976.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-06-12T17:20:59.000Z
Source
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http://youtu.be/hlifbC8WSqk
Rights
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<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
3 Aristas<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/226/default.jpg
ab98d334e7ca33a89a07494286aa1887
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/NAw092nZV3Y" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself.
https://i.ytimg.com/vi/NAw092nZV3Y/default.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Project Errorist Kabaret
Description
An account of the resource
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-07-28T17:56:11.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/NAw092nZV3Y
Rights
Information about rights held in and over the resource
<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/241/default.jpg
268863ab3d6d90ae1ad699b237353d33
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/5c2FIZw3Bg0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself.
https://i.ytimg.com/vi/5c2FIZw3Bg0/default.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Somos Muchos
Description
An account of the resource
Intervención errorista en la ciudad de Popayán realizada el 27 de julio de 2012, iniciativa que nace en el Laboratorio Errorista 2012 llevado a cabo en la Fundación Lugar a dudas por el grupo Etcetera de Buenos Aires, Argentina.
Date
A point or period of time associated with an event in the lifecycle of the resource
2012-08-23T17:05:30.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/5c2FIZw3Bg0
Rights
Information about rights held in and over the resource
<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Fototropica<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/227/default.jpg
75d472a11ef7ba22e9fbc767f0a04a1f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/UhD4haqZSr0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself.
https://i.ytimg.com/vi/UhD4haqZSr0/default.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The name of victory in the language of childrens / Çocukların dilinde Zaferin adı
Description
An account of the resource
http://www.flickr.com/photos/51960260@N07/show/with/4785675743/
The name of victory in the language of children / One Act Operet
Çocukların dilinde Zaferin adı /Tek perdelik Operet
Gülsuyu-Gülensu
29-6-2010 Istanbul
Turkey
Etcetera...
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-07-25T16:43:08.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/UhD4haqZSr0
Rights
Information about rights held in and over the resource
<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/234/default.jpg
d0a327e3329550f0bc2ff5fec9248252
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/Yl5zCWxFIMU" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself.
https://i.ytimg.com/vi/Yl5zCWxFIMU/default.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
TODAY AND YESTERDAY
Description
An account of the resource
The installation aboard the ideological use of the images, its logic and narratives on the logos of fascism. Based on "Chile Yesterday Today" a propaganda book which was published in Chile in 1975 by the National Editorial Gabriela Mistral of the Chilean military government of Augusto Pinochet. Taking that book as an exemplum to signalize how graphic, design, pictures and symbols were/are used to impose and spread the contemporary fascist ideology, and how its operates inside the social subjectivity within the constructions of stereotypes images which represents the antagonism Communism vs.Capitalism.
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-02-06T14:17:42.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/Yl5zCWxFIMU
Rights
Information about rights held in and over the resource
<a href="http://creativecommons.org/licenses/by/3.0/legalcode">Creative Commons License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/232/default.jpg
4ba191163738a2ea3aa6073107373ed7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="360" src="//www.youtube.com/embed/71-gF0jknf0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself.
https://i.ytimg.com/vi/71-gF0jknf0/default.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Welfare State of Exception
Description
An account of the resource
http://welfarexception.wordpress.com/
Welcome to the "welfare state of exception" an immobile object theater piece. This interactive installation is a permanent work in process. A pretext for another poetic infiltration in the communication and some politically incorrect way to discover together the stories hidden inside this doll, which is moving the puppets, as an imperceptible thread, so, we can believe that those movements are real. The scenery gives us the welcome or just say goodbye: Greetings from the Welfare state of exception!
Images: http://www.flickr.com/photos/64283709@N08/show/http://www.kunsthalcharlottenborg.dk/page/view/169?lang=eng
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-06-21T20:17:51.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/71-gF0jknf0
Rights
Information about rights held in and over the resource
<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com
-
https://www.etcetera-archivo.org/files/original/4/236/default.jpg
a738d5a12ccf9618f31835d53cbec2e8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>VIDEO</strong>
Description
An account of the resource
VIDEOS ACERCA DEL COLECTIVO ETCETERA
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream video content
<iframe width="480" height="270" src="//www.youtube.com/embed/A6yYoVSVmzw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Imported Thumbnail
If a thumbnail images was imported for an embedded video, its id is recorded here and the thumbnail is hidden on pages displaying the embedded video itself.
https://i.ytimg.com/vi/A6yYoVSVmzw/default.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
ZONE OF ERROR
Description
An account of the resource
Zone of error
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-11-27T14:41:42.000Z
Source
A related resource from which the described resource is derived
http://youtu.be/A6yYoVSVmzw
Rights
Information about rights held in and over the resource
<a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a>
Creator
An entity primarily responsible for making the resource
Etcetera Etcetera<br>published via YouTube.com